They say that money is the root of all evil. But in equestrian sport, money is essential to funding the endless supply of bills that go hand-in-hand with horses- vet bills, shipping, show fees, and of course the everyday costs of simply owning a horse.
So in theory, something like the Wellington Eventing Showcase provides a rare opportunity to put our sport in front of an audience that is well known to shell out dollars for equestrianism. It’s been discussed many a time how we need to be able to educate future fans, inspire potential patrons, and draw new upper-level owners to eventing, and the showcase’s intention seems to be just that.
But there are some differences between the polish and ponce of the Wellington event and your typical event. Instead of thousands of people lining the gallop lanes at Rolex, instead there was a sparsely populated hillock lining one of the sides of the derby field. And there were other differences, too. What I want to discuss today is the falls and near-falls of the cross country field.
Watching the cross country, it was clear that the bogey fences were not the gimmicky, entertaining obstacles like the tent jump, or the fence at the top of the Land Rover embankment. Instead it was a massive corner coming out of the water combination, a skinny at the base of a hill, and a pair of brush fences that could either be angled or, being numbered separately, could include a circle in between to allow for a straight approach to the second element. There were some run outs, to be expected for a course of this level, and that was okay.
What was strange to me was the difference in the way the couple falls were treated after the fact. I include the above fall sequence only as a result of both horse and rider walking away fine. The miraculous recovery of Woodge Fulton garnered the cheering and applause of a typical eventing audience. But the rotational fall of Marilyn Little and RF Demeter has been oddly swept under the rug from a media standpoint.
The pair jumped beautifully over the cabin in front of us, out and over the water combination with the corner, and then proceeded to the angled brushes like a bat out of hell- I mean this lady was hell-bent for leather on making time, and was easily moving faster than anyone else was at that stage on course. I cannot say for sure what happened at that next combination, as it was at the opposite end of the course from me, but there was no denying seeing 4 legs in the air and a definite rotational fall. Luckily Demeter trotted away, and an ambulance came over for Marilyn, who we could see was having trouble sitting up. In the end she opted for a ride on a golf cart rather than the ambulance, all the while the announcer attempted to assure the spectators that all was well between awkward pauses.
Trying to understand exactly what happened, my friends and I scoured the internet looking for some mention of the fall. And, nothing. The impression to us was that the fall was a stain on the showcase, and so nary to be mentioned, nor discussed, in public. The only mention I’ve seen so far of the fall has been in this article by the COTH.
There is no explanation of what happened, no mentioning that the horse went ass over teacups and landed on its human rider, who fortunately seems unscathed by the accident. Just a casual shout-out to sponsors, a week off in a paddock, and a lamentation of not being able to run the other horse.
While I am not trying to point fingers, I must admit that for me, the whole situation leaves me wanting. Wanting to be able to understand why something as scary and dangerous to both horse and human life as a rotational fall happened at a showcase event, with one of our top riders. Wanting to be able to learn from the scenario so that the sport is made a safer discipline for future generations. And wanting to be left feeling like the showcase really is a great way to bring in the support that the sport so desperately needs.